‘Affective Representation of Aesthetic Properties — Kris Goffin, Ghent University
The Role of Emotions in the Experience of Inanimate Objects’ Expressiveness’ —Marta Benenti, University of Turin
‘The Temporality of Aesthetic Experience: A Neurophilosophical Approach’ —Carlos Vara, Universitat Pompeu Fabra
SESSION 2
The Diversity of Counter-Moral Fictions and the Ethical Criticism of Art — Adriana Clavel Vazquez, University of Sheffield
Can we be Romantic about Narratives? Rediscovering a Context for Actual Intentions in Aesthetics —Mary Edwards, University College Cork
Ryle on Make-believe: An Evaluation of the Treatment of Imagination in The Concept of Mind for Aesthetical Theories of Fiction — Guillaume Schuppert, Les Archives Henri Poincaré
SESSION 3
What Constitutes Architecture’s High Art Status — Rebecca Wallbank, Durham University
On the Difference between Categories of Artworks and Nature; A Critique of Allen Carlson’s Unified Aesthetics — Mami Aota, The University of Tokyo
Structural Monism for Musical Works — Nemesio Garcia-Garril, University of Granada
SESSION 4
Aesthetic Powers and Adverbials — James Matharu, St Cross College, University of Oxford
Wink-Wink, nudge-nudge. Stylistic indicators of irony in cartoons — Dieter Declercq, University of Kent
SESSION 5
The Phenomenology of Dance: Husserlian and Post-Husserlian Approaches — Emma Lowe, KU Leuven, Belgium
Technology’s Instances: The digital Re-configuration of Dance Work Ontology — Hetty Blades, Coventry University
