21 May: A Symposium on Villains

Grimond lecture theatre 2, Programme

Little has been said about the appeal of villains, and the important role they play in stories. In what sense can we be said to enjoy the villain’s transgressions – and do we enjoy all sorts of transgressions? In this interdisciplinary symposium we will address what a villain is, which acts or character traits we perceive as villainous, how villains are portrayed and how we feel about villains in various art forms and media, such as in film, television series, video games and theatre.

Generously sponsored by Kent Institute for Advanced Studies in the Humanities, the Aesthetic Research Centre and the Centre for the Interdisciplinary Study of Film and the Moving Image at the University of Kent

Jerrold Levinson: Key Concepts in Aesthetics

Jonathan Friday and Jerrold Levinson
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Jerrold Levinson

21 May: Art, Aesthetics and the Sexual

7-8 February 2015: Interact!

‘INTERACT! British Society of Aesthetics Postgraduate Conference’ was a two-day event where postgraduates were able to present their research, share ideas and interact with each other and established members of the academic community. The conference allowed remote participation, all presentations were recorded and can now be viewed online.

Programme

Saturday 7th February

09:30 – 10:25 Registration

10:25 – 10:30 Welcome watch
Opening words by Michael Newall, Head of History and Philosophy of Art, University of Kent

10:30 – 12:00 Session 1 watch
Chaired by: Michael Newall, University of Kent

  • Affective Representation of Aesthetic Properties ⎮Kris Goffin, Ghent University
  • The Role of Emotions in the Experience of Inanimate Objects’ Expressiveness ⎮Marta Benenti, University of Turin
  • The Temporality of Aesthetic Experience: A Neurophilosophical Approach ⎮ Carlos Vara, Universitat Pompeu Fabra

12:00 – 13:00 Lunch

13:00 – 14:30 Session 2 watch
Chaired by: Sara Janssen, University of Kent

  • The Diversity of Counter-Moral Fictions and the Ethical Criticism of Art ⎮Adriana Clavel Vazquez, University of Sheffield
  • Can we be Romantic about Narratives? Rediscovering a Context for Actual Intentions in Aesthetics⎮Mary Edwards, University College Cork
  • Ryle on Make-believe: An Evaluation of the Treatment of Imagination in The Concept of Mind for Aesthetical Theories of Fiction⎮Guillaume Schuppert, Les Archives Henri Poincaré

14:30 – 15:00 Coffee&Tea

15:00 – 16:30 Session 3 watch
Chaired by: Margaret Schmitz, University of Kent

  • What Constitutes Architecture’s High Art Status ⎮Rebecca Wallbank, Durham University
  • On the Difference between Categories of Artworks and Nature; A Critique of Allen Carlson’s Unified Aesthetics ⎮ Mami Aota, The University of Tokyo
  • Structural Monism for Musical Works ⎮ Nemesio Garcia-Garril, University of Granada

16:30 – 17:00 Coffee&Tea

17:00 – 18:30 Keynote – Professor Dominic McIver Lopes watch
Chaired by: Shelby Moser, University of Kent
‘Aesthetic Experts, Guides to Value’⎮Professor Dominic McIver Lopes, University of British Columbia

19:00 Conference Dinner

Sunday 8th February

10:00 – 10:30 Coffee

10:30 – 12:00 Keynote – Professor Elisabeth Schellekens watch
Chaired by: Mark Windsor, University of Kent

  • On Sensible and Intelligible Beauty ⎮Professor Elisabeth Schellekens, University of Uppsala & University of Durham

12:00 – 13:00 Lunch

13:00 – 14:00 Session 4 watch
Chaired by: James Finch, University of Kent

  • Aesthetic Powers and Adverbials ⎮James Matharu, St Cross College, University of Oxford
  • Wink-Wink, nudge-nudge. Visual indicators of irony in cartoons. ⎮Dieter Declercq, University of Kent

14:00 – 14:30 Coffee&Tea

14:30 – 15:30 Session 5 watch
Chaired by: Dr. Margrethe Bruun-Vaage, University of Kent

  • The Phenomenology of Dance: Husserlian and Post-Husserlian Approaches ⎮Emma Lowe, KU Leuven, Belgium
  • Technology’s Instances: The digital Re-configuration of Dance Work Ontology⎮Hetty Blades, Coventry University

15:30 – 16:00 Coffee&Tea

16:00 – 17:15 Panel Discussion: ‘How to Publish and Career Advice’
Chaired by: Dr. Margrethe Bruun-Vaage, University of Kent

  • Doctor Jonathan Friday, University of Kent
  • Professor Dominic Lopes, University of British Columbia
  • Professor Elisabeth Schellekens, University of Uppsala & University of Durham
  • Professor Murray Smith, University of Kent
  • Watch the career advice video, with: Stacie Friend, Bence Nanay, Andrew Huddleston, Berys Gaut, Eileen John, Robert Stecker, Christy Mag Uidhir, Carolyn Korsmeyer, Dan Cavedon-Taylor, Katherine Thompson-Jones, David Davies, Derek Matravers, Aaron Meskin, John Hyman, Simon Fokt, Yuriko Saito, and Kathleen Stock.

17:15 – 18:15 Wine Reception

IMG_7174

 

26 – 27 June: Aesthetics, Normativity, and Reason

26th June – 27th June 2015

Sophie-Grace Chappell (r), Sara Janssen (l)
Sophie-Grace Chappell (r), Sara Janssen (l)
Graeme A Forbes
Graeme A Forbes
Levno Plato
Levno Plato
Maria Alvarez
Maria Alvarez
Aaron Ridley
Aaron Ridley
Nils-Hennes Stear
Nils-Hennes Stear
María José Alcaraz León
María José Alcaraz León
Andrew Huddleston
Andrew Huddleston
John Hyman
John Hyman
Conference dinner (clock-wise from left to right) Elisabeth Schellekens-Dammann,  María José Alcaraz León, Graeme A Forbes, Aaron Ridley, Michael Newall, Michael Smith, Sara Janssen, Katrien Schaubroeck, Hans Maes, Dan Cavedon-Taylor, Murray Smith
Conference dinner (clock-wise from left to right) Elisabeth Schellekens-Dammann, María José Alcaraz León, Graeme A Forbes, Aaron Ridley, Michael Newall, Michael Smith, Sara Janssen, Katrien Schaubroeck, Hans Maes, Dan Cavedon-Taylor, Murray Smith

Keynote Speakers

Maria Alvarez (King’s College London)
Carla Bagnoli (University of Modena and University of Oslo)
Sophie-Grace Chappell (Open University)
John Hyman (Oxford University)
Aaron Ridley (University of Southampton)
Elisabeth Schellekens Dammann (University of Uppsala and University of Durham)
Michael Smith (Princeton University)

More information

www.anr-conference.uk

Sara Janssen, Postgraduate Research student History and Philosophy of Art, University of Kent
Simon Kirchin, Reader in Philosophy, Dean of the Faculty of Humanities, University of Kent, s.t.kirchin@kent.ac.uk
Hans Maes, Senior Lecturer History and Philosophy of Art, Director of the Aesthetics Research Centre, University of Kent
Paloma Atencia-Linares, Universidad Nacional Autónoma de México (UNAM)

Under Construction

The Aesthetics Research Centre coordinates, enables and promotes research in philosophy of art and aesthetics at the University of Kent singulair medicine.

This webpage is currently under construction.

 

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19 December: Shunga & Philosophy

The Sackler Rooms, British Museum 10am-5pm
Free admission, limited seating

In early modern Japan, thousands of sexually explicit paintings, prints, and illustrated books
with texts were produced, euphemistically called ‘spring pictures’ (shunga). Frequently tender, funny and beautiful, shunga were mostly done within the popular school known as ‘pictures of the floating world’ (ukiyo-e), by celebrated artists such as Utamaro and Hokusai. This colloquium aims to answer some key philosophical questions about the nature of shunga and how its ethical and artistic value is best understood.

Includes content of a sexually explicit nature. Parental guidance advised for under 16s.

Speakers include:
Prof. David Davies (McGill University) Dr. Emily Caddick (Cambridge University) Dr. Simon Fokt (University of St Andrews) Dr. Hans Maes (University of Kent)
Dr. Petra van Brabandt (St Lucas Antwerp) Louise Boyd (University of Glasgow)

Emily Caddick Bourne, Craig Bourne, Louise Boyd
Hans Maes
Simon Fokt, Hans Maes, and Andrew Gerstle